ああっ。嫌いではない。
ああっ。嫌いではない。
風営法の隙を縫って深夜まで女の子のいる店をやろうとあれこれして深い森の先に行き着く「おにぎりバー」。
なんておかしなことに。トンチだ。
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Comment on this post
/http%3A%2F%2F25.media.tumblr.com%2F03e0e82deaf5eb19a07b4734a4025883%2Ftumblr_mp4vpxKm6U1qjjt8vo1_1280.jpg "いらない何も捨ててしまおうな電動スクーター : ギズモード・ジャパン")
/http%3A%2F%2F24.media.tumblr.com%2F52598f2f90ba2eaed53e5957bfffb3d7%2Ftumblr_mp15hk3x0v1r4oc7po1_1280.png "emit-efil:
スチームパンクでメカニカルなカッコよさ！リサイクル部品で作られた「昆虫」アート | ひよこ執事")
/http%3A%2F%2F25.media.tumblr.com%2F3a6f4632e64409fb54f60ab0624ce9cd%2Ftumblr_mp1n76Wths1rpretgo1_1280.jpg "33arquitectures:
Monsanto House of the Future - June 12, 1957–December 1967
(por MidCentArc)")
/http%3A%2F%2F25.media.tumblr.com%2Fba8bf81f1e420df898ab5e32d7cc660f%2Ftumblr_mmgs9q0hoR1r9oiggo4_1280.jpg "worclip:
Wave Table 02 (2010-2012) by Frederik Skåtar
The table is a part of the project “From animation to sculpture” which was funded by the Swedish Arts Grants Committee (Konstnärsnämnden) in 2010.
Materials: acrylic glass and aluminiumDimensions: 1000X1000X500 mmAmplitude: max 3mm
Wave Table 02 is made of acrylic glass through which objects visually seem to be under water. The aim with this project is to “hide a sculpture” in a common object, in this case a table. The sculpture materializes a shape that constantly occurs in nature, however we cannot see it because of our perception of time and movement. Here, the movement of water has been frozen and carved out as a sculpture.")
/http%3A%2F%2F25.media.tumblr.com%2F66c7d2d40621b34cbe3893ac2a2e28b6%2Ftumblr_mosb5oRmyQ1qjjt8vo1_1280.jpg "木の紙｜kinokami : monogocoro ものごころ")
/http%3A%2F%2F25.media.tumblr.com%2F0db47c635ab67c89569c6554d32f00d2%2Ftumblr_mos8ujn6IN1qjjt8vo1_1280.jpg "Panasonic ZK1H Water Kettle | Uncrate")
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/http%3A%2F%2F25.media.tumblr.com%2Fedcdc5479e3cf354ecdef3da692aa0a5%2Ftumblr_mor6n1YzQv1rxoeuio1_1280.jpg "blutspur:
Cage Archibird
Grégroire de Lafforest")
ああっ。嫌いではない。
風営法の隙を縫って深夜まで女の子のいる店をやろうとあれこれして深い森の先に行き着く「おにぎりバー」。
なんておかしなことに。トンチだ。